ironically, of course i'm very tired as I write this...

Interviewed again on the topic of baby sleep + the connection to interior design. (Which I believe is tremendous.) Enjoy - this time via Parents Magazine Online.

Mother's Little Helper: The well-designed nursery

Yes, it snowed today in Northern NJ. Really?

Now that I got that out of my system, on to the intersection of sleep/design. I worked with Nicole Johnson, founder of the ever-popular Baby Sleep Site, on this one. She's the sleep whisperer, I will do almost anything to get some sleep in my house, including making sure every decoration in my children's rooms works on my side. I wrote a piece for her blog - check it out here.

it's all tranny nowadays: transitional 101

I am working with several families now in search of the perfect transitional kitchen space. Not to get existential about it - but a transitional kitchen is neither here, no there. It is in a mode that straddles modern, traditional and has license to cherry pick from either side to achieve a balance that makes it impossible to really label it in any other way. When you can't pick a side? Transitional. When you don't know what you want? Transitional. When you are modern and your house is not? Transitional. When you have Victorian fantasies and a mobile home budget? Transitional.

The great thing about this transitional mode is that the rules are breakable and what's important to the owner, reigns. Designers are forced to allow people to actually inject what they want into what would naturally be a modern space, adding the feminine, the whimsical, the decorative - typically reserved for traditional kitchens. And designers are stripped of every trick in their fussy playbooks when a homeowner says, "I need to inject modern. But I still want white paneled cabinetry."

So I love it. I love design that break rules and is hard to pin down. Anything that says, "we're making it up as we go along, and it's mostly up to you, dear homeowner." I'm on board.

So what do you think about when you create a transitional space? Let's be honest, transitional spaces really begin in the land of the traditional. They begin with traditional shapes, that are tweaked or morphed or adapted with hardware and other tricks. You start with the basics of your kitchen - cabinetry that is simple, but probably still has panels, flooring, which is likely wood, and counters which seem to have a pretty neutral impact on where your kitchen lives in the mod-trad contiuum. From there, you can really switch things up with your choices of:

1) Lighting. Makes a real statement. Are you trying to mimic the French countryside, or are you bringing a little light industrial chic into your kitchen - say it with lighting. Regardless of the cabinets or the appliances, lighting sets a big tone- both in the shape, and how the light fills the space. Playing with chrome, glass and scale, can morph a traditional space into a more streamlined one. I also love lighting that uses traditional patterns or motifs in a modern shape, or vice versa, like the delicious Butterscotch Pendant from Euro lighting, below.

2) Hardware. Instant game-changer. These seem inconsequential and are a very annoying choice to make for renovation-weary clients, but knobs and pulls that simply enable you to open the door, speak LOUDLY when it comes to kitchens. In fact, if you have just $100 to update your kitchen, a can of paint anid new knobs will go a really long way.

3) To panel or not to panel. Cabinetry people LOVE to splash their panels all over the place - onto the range hood, the appliances, onto doors that aren't really doors. Heaven for bid we should have a flat surface in a kitchen! Breaking out of this -letting your stainless or black-glassed appliances show their faces is a big way to push the envelope, and your kitchen, into modern territory. Fewer panels skews modern.

4) Accessories - Believe it or not - I may notice your teapot before I notice what your countertop is made up of. Our kitchens tell people how we eat and live - and the accessories we use tell a lot about what kind of space we're creating. A sleek set of counter appliances and accessories can again, steer the ship to modern.

5) Color - I hate to say it - but color does play favorites. Cooler colors seem to spell more modern spaces - warmer colors have been hijacked by more traditional looks - probably thanks to our overinterpretation of Tuscany and Provence - we imagine anything from Europe dripping in yellow and sienna. We should all take a trip to Stockholm and the Swedish country side and take a look at all the fabulous transitional Scandi spaces. The scandinavians invented transitional. The colors are almost always light and bright - the colors slight and typically cool. These shades really do inhabit an ethereal in-between existence. If your walls are grey-green, you aren't really beholden to anything.

So go forth, break the rules - incorporate what you love and take advantage of the explosion of offerings from manufacturers who want to please all of us out there who like it both ways.

Cat (alogue) Call: Whoot Whoot! Design Within Reach's Latest

I actually hate almost all catalogues. Forgive me as I take a seldom-used opportunity to voice what I see as earth-abuse, at least mail-box abuse. I also hate the prolific use of acronyms, so you could say the deck was stacked against Design Within Reach, or DWR, as it's known by the design elite, or those who choose friends based on what chairs people have in their homes. I also find the name to be a bit of a misnomer - their wares are hardly within in my reach, nor the reach of my clients. But they sure do make a pretty catalogue. And unlike their completely whorish cataloguing retail counterparts, they only send one or two a year, max. I like that in a company.

And, I almost passed out, from love, at first sight of the most recent catalogue. Another thing I like about DWR (sorry - feeling lazy) is that it sells objects - not rooms. What I hate about the catalogue-ization of our design economy is that stores like Pottery Barn or Restoration Hardware try to sell entire rooms and looks - they invite is to put our innate curatorial sense to sleep and simply "buy the room." DWR doesn't do that - it shows off it's wares like museum pieces. And they pretty much are - they each have a completely transparent and much-touted design story. (They should, considering their price tag.) If we all connected to the who-what-where of the design of our objects - we'd have less, and what we had would mean more to us. Less landfills, smaller craigslist-for-sale sections, etc. But I digress.

What captured my eye this time was the new Scoop Chaise Longue, designed by Mark Gabbertas, produced by Gloster, Scandis I'm sure. It looks an awful lot like rattan - but it's not - it's Textiline, which is basically vinyl. It looks an awful lot like rattan, but it gives more - no need for cushions. Love that comfortable minimalism. And no more mildew cushions or running out in the rain, cursing the damn summer cushions. Most of all - I love when modern meets feminine - when simple shapes retain curvature, movement and a liquid quality. Lastly, I like things that wear well - that's always worth paying for in my book.

I don't exactly have the limestone pool surround, nor a pool, in which to lounge on such a chair. DWR is most certainly aspirational -but it's also smart design. It's not superfluous - nothing extra, and nothing, we hope, that will end up in the trash because it can't be used for daily use.